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Members within the band all wanted to go in different directions, and that could not be reconciled while in At The Drive-In. That same year though, they finally had to call it quits.
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They quite possibly could have, with numerous TV appearances, as well as a very well-known appearance at Big Day Out in 2001. With this single and album, At The Drive-In nearly broke into the rock mainstream. And of course I can't get away without mentioning "One Armed Scissor", the band's closest thing to a "hit" song, and by far their best known. They also brought out some of their most intense tracks, particularly album opener "Arcarsenal" and "Mannequin Republic".
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Omar in particular made full use of his pedalboard, and Jim Ward also began incorporating keyboard parts into certain tracks. For one, it's much more progressive, as clearly indicated by tracks like "Quarantined" and "Non-Zero Possibility". Though they still maintained the melodic/aggressive balance, the duel guitar sound, and Cedric's distinct vocal and lyrical style, as a unit they pushed the boundaries on everything they had done so far into new territory entirely. Relationship Of Command was a major jump from their prior work. In 2000, At The Drive-In entered the studio with a major producer (Ross Robinson), and came out with one of the greatest and most influential post-hardcore albums ever. It's also a clear indicator of where the band is about to explode to on their next and final LP. It's a transitional EP between LP's that just happens to contain some of the band's best material. 1999's Vaya is what El Gran Orgo was in 1997. They would also become live staples to this day. The songs on here also have become more grandeur, with tracks like "Napoleon Solo" and "Lopsided" showing a melodic yet "epic" side to ATDI. Seriously, check out some of their live material if you ever want to see a band on the brink of losing their shit but still holding it together somehow. Sonically, it's brimming with an energy only matched by their live shows. Musically, the songs are more technically complex, and Omar's love of effects starts to show here. Lyrically it's more political, but still as opaque as ever. What more is there to say aside from this is a fucking incredible album? ATDI had evolved so much over the years since they began, and this is where they finally hit their stride. With their solidified line-up, the band's second full-length, In/Casino/Out was released in 1998. After El Gran Orgo, the band's "classic" line-up was solidified, with Cedric on vocals, Jim back on guitar and vocals, Omar Rodriguez-Lopez on guitar, Paul Hinojos on bass, and Tony Hajjar playing drums. The songs are catchy, the energy is high, and it really stands out as being different from a lot of their other material.

Even with his absence, it's a fantastic EP and a personal favourite of mine, which is why I have to point it out as being highly recommended. This is notable since it's the only thing ever released without founding member Jim Ward. Following their debut, they released another EP, El Gran Orgo. However, the production quality is vastly different to what they would later release, and this era of ATDI is often why they are sometimes labelled as an "emo" band, though the term doesn't really fit. The definitive traits of At The Drive-In are all here, including Cedric's lyrical intellect, the duel guitar sound, and the quiet-loud dynamics that are so integral to post-hardcore. Though quite different from the material they would become known for, it still stands on its own as a fantastic record, and spawned some of the band's best songs, including "Ticklish" and "Initiation". After a few EP's, the band's debut album, Acrobatic Tenement was released in 1996. The band's early sound often draws comparison to other great bands such as Fugazi and Sunny Day Real Estate, which were two of their major influences. Those are vocalist Cedric Bixler-Zavala and guitarist/vocalist Jim Ward (though he has been absent from the band on occasion, but we'll get in to that). Though they went through numerous line-up changes in their early days, two particular members have been with the band from the start. ATDI (as they are commonly referred to) formed in 1993 in the city of El Paso, Texas.
